This Issue
The Double Identity of Chūshingura: Theater and History in Nineteenth-Century Prints
Chelsea FoxwellYorozu Tetsugorō and Taishō Prints: When the Japanese Print Became Avant-Garde
Alicia VolkMemories of Munakata
Marvin LichtnerThe Zenning of Munakata Shikō
Allen HockleyMunakata and Matsubara: An Artist’s Memoir
Naoko MatsubaraA Short History of the Ukiyo-e Society of Japan
Kubota KazuhiroRichard Lane (1926–2002), Scholar and Collector
Julia MeechA Note on Harunobu’s Lovers Sharing an Umbrella
Roger Keyes
Review Article
Harunobu in Chiba
David B. Waterhouse
Reviews
Anne Nishimura Morse, J. Thomas Rimer and Kendall H. Brown, Art of the Japanese Postcard: The Leonard A. Lauder Collection at the Museum of Fine Arts, Boston
Brian D. MoeranElizabeth de Sabato Swinton, Terrific Tokyo: A Panorama in Prints from the 1860s to the 1930s; and Marianne Lamonaca, James T. Ulak and Frederic A. Sharf, Tokyo, The Imperial Capital: Prints by Koizumi Kishio, 1928–1940
Donald Jenkins
Letter to the Editor
Orrel P. Reed, Jr.
Glossary of Print Terms
Contributors