The Japanese Art Society of America (JASA) promotes the study and appreciation of Japanese art. Founded in 1973 as the Ukiyo-e Society of America by collectors of Japanese prints, JASA’s mission has expanded to include related fields of Japanese art. Through its annual lectures, seminars and other events, the Society provides a dynamic forum in which members can exchange ideas and experiences with experts about traditional and contemporary arts of Japan.
Help Us Celebrate 50 Years of JASA!
After a highly successful run at the Asia Society Museum in New York last year and the Smart Museum of Art at the University of Chicago in the spring, JASA’s 50th anniversary exhibition, Meiji Modern: Fifty Years of New Japan, will be view at The Museum of Fine Arts, Houston, from July 7 through September 15. Learn more about it at the MFAH’s website. One review called Meiji Modern a “perfect exhibition,” engaging both scholars and non-specialist visitors who are “thrilled to discover beautiful art they didn’t know and to learn its history in labels that are both clear and serious.”
JASA’s beautiful 272-page full-color catalog for the exhibition (cover above) takes a fresh look at the art of the Meiji period (1868-1912) through approximately 200 objects drawn from public and private collections across the United States, including newly discovered prints, photographs, textiles, paintings and craft objects. Copies of the catalog can be ordered through the JASA Store or our mail-in Publications Order Form.
JASA has embarked on a major capital campaign. Our goal is to raise a total of $2.5 million to help secure our future as the premier membership organization in North America dedicated to the arts and culture of Japan. We have already raised a substantial portion to cover the costs of the Meiji Modern exhibition. However, we also need your help to secure additional funds to support Impressions, JASA programming and scholarship in Japanese art history. Download our Securing Our Future brochure here and watch the video here to learn more about this important initiative and how you can be part of building JASA’s exciting future!
Meet JASA’s New President: Victoria Melendez
Impressions recently met with Victoria Melendez, elected the society’s president in 2024, in the galleries of the Department of Arms and Armor at the Metropolitan Museum of Art, where we had just viewed an onsite presentation of Japanese swordsmanship. While she is well-known to many JASA members and fellow collectors, we invited Victoria to share some of her background and views on collecting Japanese art.
We are delighted to speak with you about your new leadership role with JASA. Members look forward to getting to know you better and to working with you. To begin our short conversation, please tell us about your early years. Where were you born? Where did you grow up, go to school?
I was born and raised in New York City. I attended the Fiorello H. LaGuardia High School of Music & Art and Performing Arts, where I focused on painting and drawing.
Were your parents both interested Japan, or in art? What interested you as a child?
My parents were both interested in art, such as painting and ancient art, and when I was a child often took me to museums, such as the Metropolitan Museum of Art. Rather than Japan, they were more interested in Spain and Latin America, probably because my father was from Colombia and my mother was a Spanish teacher.
Read our complete conversation with Victoria Melendez here.
January JASA Event
Join us on Monday, January 20, 5 p.m. EST, for the live Zoom webinar Striking Objects: Contemporary Japanese Metalwork from the Shirley Z. Johnson Collection, presented by Dr. Sol Jung. The talk will examine examples of contemporary Japanese metalwork currently on view in the exhibition at the Smithsonian’s National Museum of Asian Art. Register for this Zoom event: January 20 webinar.
For details of this and upcoming events, visit our JASA-Sponsored Events page.
For those who missed our December 17 webinar, New Horizons for Japanese Art at the Princeton University Art Museum. with Professor Dr. Kit Brooks, the video is posted below.
You can also find links and details for all recorded JASA events on our Lecture Videos page.
- Lecture: New Horizons for Japanese Art at the Princeton University Art Museum (Dr. Kit Brooks) December 18, 2024New Horizons for Japanese Art at the Princeton University Art Museum (Dr. Kit Brooks)
JASA’s annual holiday program lecture is New Horizons for Japanese Art at the Princeton University Art Museum. Reopening in fall 2025 after a multi-year closure, the new Princeton University Art Museum will feature a suite of galleries devoted to the display of Asian Art. As guest speaker Dr. Kit Brooks notes, “The new Museum—double the size of its previous incarnation—will include over 60,000 square feet of gallery space. One of the seven ‘pavilions’ will be devoted to Asian Art, drawing from a collection well known for its Chinese paintings and calligraphy. The Japanese collection has been growing since the establishment of the Museum in the 1880s, ranging from Neolithic to contemporary, and includes sculpture, paintings, prints, and ceramics.”
Dr. Brooks is Curator of Asian Art at the Princeton University Art Museum. Earning their PhD from Harvard University (2017), they previously held positions at the Smithsonian’s National Museum of Asian Art and the British Museum. Their recent projects include the exhibitions Staging the Supernatural: Ghosts and the Theater in Japanese Prints (2024) and Ay-Ō’s Happy Rainbow Hell (2023), the first U.S. museum exhibition dedicated to the psychedelic Japanese Fluxus artist Ay-Ō (b. 1931).
- Impressions 45 (2024) Part Two of a Double Issue November 9, 2024
Impressions 45, Part Two of a Double Issue (2024), is 259 pages and features Meiji Japan, notably reviews by Hollis Goodall of an exhibition and catalog of ceramics by Seifu Yohei III at the Cleveland Museum of Art and JASA’s “Meiji Modern” exhibition and catalog. Elizabeth Lillehoj reviews Tim Clark’s Late Hokusai; Sam Leiter takes a look at Jonathan Zwicker’s Kabuki’s Nineteenth Century; and William Fleming reviews Leiter’s Meiji Kabuki. Motoko Shimizu has a timely essay on Ishiuchi Miyako and the effects of the bombing of Hiroshima. Evgeny Steiner explores another timely issue—the problem of war booty in Russia. Erin Schoneveld introduces us to Japanese posters; Stephen Salel traces the evolution of sugoroku imagery in Japanese graphic art; and Tim Screech unveils the little-known theme of the Eight Views of Nikko. - Lecture: An Introduction to Bunraku: The Puppet Theater of Japan (Dr. Claudia Orenstein) October 23, 2024An Introduction to Bunraku: The Puppet Theater of Japan (Dr. Claudia Orenstein)
On October 22, 204, Claudia Orenstein, Professor of Theatre at Hunter College and the Graduate Center, CUNY, presented this live webinar on bunraku, also known as ningyō jōruri, a multidimensional art that marries exquisitely carved puppet figures, operated by teams of performers, with dramatic narration to shamisen accompaniment. Drawing from early ritual practices and the work of medieval itinerant bards, in the Edo period, bunraku became a popular entertainment appealing to restless urban audiences with tales of love, war and personal sacrifice. Contributions of great dramatic writers like Chikamatsu Monzaemon (1653-1724), and novelties in puppet construction, not only supported the form’s past success, but have continued to make it a unique art form admired throughout the world.
Professor Orenstein offers insights into various aspects of the tradition and the history and development of this art that is both an Important Intangible Cultural Property of Japan and listed as a UNESCO Intangible Culture Heritage of Humanity.
- Lecture: Pigments of the Imagination: Woodblock Prints by Paul Binnie September 28, 2024Pigments of the Imagination: Woodblock Prints by Paul Binnie
On September 25, 2024, JASA hosted a webinar with Scottish multidisciplinary artist Paul Binnie, who works in the tradition of Japanese woodblock printing, particularly shin-hanga. Paul speaks about his early training as a painter in Scotland and then as a woodblock printmaker in Japan in the 1990s. He discusses the influences on his work, the changes that have taken place and the direction his work has followed over a career of more than thirty years. The presentation shows illustrations of many of his woodblock prints and a number of oil paintings to show the progress of his work from the 1990s until today.
Paul Binnie was born in Scotland in 1967, and studied art history at the University of Edinburgh and painting and etching at Edinburgh College of Art from 1985 to 1990. After taking his Master’s degree (with honors) in 1990, he moved to Paris and then in 1993 went on to Tokyo to study woodblock printmaking for almost six years. In 1998, Paul moved to London, where he set up his studio and worked for twenty years. At the end of 2018 he relocated to San Diego. Paul’s work is held in many public collections, including The Metropolitan Museum, New York; The National Museum of Asian Art, Washington, DC; The Rijksmuseum, Amsterdam; The British Museum, London; and The National Library of Australia, Canberra, among others.
- Impressions Earns 2024 Design Award July 15, 2024
Congratulations to JASA and Impermanent Press, our Impressions designer, for yet another award! Graphic Design USA (GDUSA) presented a 2024 American InHouse Design Award to Impermanent Press for Impressions 45 (2024), Part One of a Double Issue.
